Special Guest: Noah Isenberg Guest Co-Hosts: Heidi Honeycutt, Keith Gordon
Comedy Month continues as Mike talks with co-hosts Keith Gordon and Heidi Honeycutt about Billy Wilder's Billy Wilder's Some Like it Hot (1959).
Chicago, 1929. Musicians Joe (Tony Curtis) and Jerry (Jack Lemmon) are barely scraping by when they stumble onto the St. Valentine's Day Massacre, witnessing Spats Colombo (George Raft) and his mob gun down a rival gang. With the killers on their tail, the two desperate musicians disguise themselves as women and join Sweet Sue's Society Syncopators, an all-girl band heading to Miami. Aboard the train they meet Sugar Kane Kowalczyk (Marilyn Monroe), a ukulele-playing singer with a weakness for saxophonists and a dream of marrying a millionaire.
Mike also talks with scholar Noah Isenberg — author of the Los Angeles Times bestseller We'll Always Have Casablanca and currently completing a cultural history of Some Like It Hot for Norton — about the film's origins, its enduring legacy, and what it still has to say.
Collision as courtship. Self-destruction as intimacy. Fatih Akın's Head-On (2004) opens with two suicide attempts and spirals into a sham marriage between Cahit (Birol Ünel) and Sibel (Sibel Kekilli), German Turks who weaponize matrimony to escape themselves. What begins as a performance of tradition mutates into volatile love, violence, prison, exile, and a reunion that refuses catharsis.
Keith Gordon and Rahne Alexander join Mike to unpack Akın’s fusion of Sirkian melodrama, Fassbinder fatalism, and arabesk despair.
Writer, director, and star Joanna Arnow delivers one of the sharpest, most quietly uncomfortable comedies of recent years with The Feeling That the Time for Doing Something Has Passed (2023), a film that weaponizes awkwardness, deadpan humor, and emotional stasis. Arnow plays Ann, a thirty-three-year-old woman drifting through New York City, desperate for connection but seemingly incapable of advocating for herself. She works a job that barely registers as meaningful, endures social interactions that feel transactional at best, and navigates a BDSM relationship that has quietly slipped from consensual ritual into something emotionally hollow.
Lisa Vandever and Keith Gordon join Mike to unpack Arnow’s deceptively modest narrative and the precision with which it captures a very modern kind of paralysis.
Special Guest: Eric Lax Guest Co-Hosts: Keith Gordon, Andras Jones
Explore the dualities of morality, fate, and human frailty in Crimes and Misdemeanors (1989), Woody Allen's masterful blend of dark comedy and philosophical drama. To close out 2024 and our Patreon-requested series, Mike White welcomes Andras Jones and Keith Gordon for a spirited discussion of this haunting tale. With Martin Landau and Allen himself leading parallel storylines—one of an ophthalmologist spiraling into ethical darkness, the other of a struggling documentarian chasing unrequited love—the film weaves an intricate tapestry of guilt, ambition, and existential reckoning. Along the way, a blind rabbi offers wisdom (and serves as a poignant metaphor) as the characters navigate their moral crossroads.
The episode features an interview with Woody Allen's friend and biographer Eric Lax who describes Allen's process and the evolution of Crimes and Misdemeanors.
Special Guest: Beverly Gray Guest Co-Hosts: Keith Gordon, Katharine Coldiron
We wrap up the first of a few Request Months with one from Brian Tessitore, The Graduate. The 1967Mike Nichols film stars Dustin Hoffman as Benjamin Braddock, the titular graduate. He's adrift after college and falls into an affair with Mrs. Robinson (Anne Bancroft), a family friend.
Special Guest: Sal Viscuso Guest Co-Hosts: Keith Gordon, Duane Swierczynski
We're doing something unusual with a re-do of the third episode of The Projection Booth. Yes, we’re talking about Joseph Sargent's 1974 film The Taking of Pelham One Two Three. Based on the book by John Godey (pen name of Morton Freedgood) and brilliantly adapted by Peter Stone, the film stars Walter Matthau as Zach Garber, a transit transit cop whose train is taken hostage by Robert Shaw as Mr. Blue, and his three henchmen, Mr. Green, Mr. Grey, and Mr. Brown.
Duane Swierczynski (California Bear) and Keith Gordon join Mike to discuss the film and its two remakes while actor Sal Viscuso talks about his role in the original film.
Special Guest: Joseph McBride Guest Co-Hosts: Keith Gordon, Rob St. Mary
We wrap up a month of discussion around comedic film with one of the best, The Coen Brothers's second film, Raising Arizona (1987). It's the story of repeat offender H.I. McDunnough (Nicolas Cage) and his wife Ed (Holly Hunter ), a childless couple who steal one of the quintuplets from Nathan Arizona (Trey Wilson) and, hell, you know who he is.
French Month continues with a look at Marcel Carné's Children of Paradise (1945). Set in the early-mid 1800s, the film tells a winding tale of the woman Garance (Arletty) and the four men in her orbit: The mime Baptiste (Jean-Louis Barrault), the actor Frederick (Pierre Brasseur), the criminal Larcenaire (Marcel Herrand), and the aristocrat Edouard (Louis Salou).
Keith Gordon and Samm Deighan join Mike to discuss the film as well as the compelling circumstances around its making.
Special Guests: Joseph Aisenberg, Nancy Allen, William Katt, Piper Laurie, Joe Maddrey Guest Co-Hosts: Jamey Duvall, Keith Gordon
We’re wrapping up #Shocktober 2021 with a look at Brian De Palma's Carrie (1976). Based on the novel by Stephen King, the film stars Sissy Spacek as the titular Carrie White. She’s a young woman who’s lived under her mother’s thumb and religious fervor. When she experiences her first period, she also experiences a new ability to move objects with her mind.
Special Guests: Alan Heim, Keith Gordon, Deborah Geffner Guest Co-Hosts: Emma Westwood, David Kittredge
It's showtime, folks! On this episode we're talking about Bob Fosse's 1979 film All That Jazz. It’s definitely not an autobiographical picture about a choreographer slash director (Roy Scheider) who's working on his previous film about a groundbreaking stand-up comedian (Cliff Gorman) while rehearsing his next Broadway sensation. It's definitely not about Fosse facing down the specter of mortality and expressing it the best way he knows how.
Based on a book by Vasilis Vasilikos, Costa-Gavras’s Z (1969) stars Yves Montand as a political activist who is killed after a rally. The film also stars Jean-Louis Trintignant as the investigator of the incident who manages to uncover a vast conspiracy.
Keith Gordon and Eric Cohen join Mike to discuss this political thriller which is a thinly veiled re-telling of the events in Greece of 1963 and the assassination of Grigoris Lambrakis.
Noirvember 2019 wraps up with Billy Wilder's Double Indemnity (1944). With a screenplay co-written by Wilder and Raymond Chandler and based on a story by James M. Cain, the film is one of the seminal works of film noir. It stars Fred MacMurray as fast-talking Walter Neff, an insurance agent who gets played for a dope by a dame. The dame in question, Phyllis Dietrichson, is played by the one and only Barbara Stanwyck. The two cook up an insurance scam to pay off big after they bump off her husband.
Keith Gordon and Kat Ellinger join Mike to discuss Double Indemnity, its 1973 TV remake, the adult adaptation Eruption (1977), Body Heat (1981), and the Body Heat/Double Indemnity mash-up, Jism (2003).
Released in 1972, Andrei Tarkovsky's Solaris is the second of three adaptations of Stanislav Lem's 1961 book of the same name. The film tells the tale of Kris Kelvin (Donatas Banionis) who travels to a station orbiting the planet Solaris, a sentient ocean that seems to be able to read the unconscious thoughts of those on the station and conjure up living embodiments of someone from the astronauts' past, with varying results.
Special Guest: Mei Fong Guest Co-Hosts: Keith Gordon, Christine Makepeace
While we often talk about a few movies on every episode -- one main film and some supporting works, sequels, and so on -- we're spotlighting two movies on this episode: Michael Campus's Z.P.G. (1972) and Alfonso Cuarón's Children of Men (2006).
Z.P.G. (Zero Population Growth) stars Oliver Reed as Russ McNeil and and Geraldine Chaplan as his wife Carol. The film is set the near future where global resources have been strained and the environment has paid the price for the blight of human beings which have polluted the air so much that they live under a shroud of smog. "They took all the trees and put 'em in a tree museum where they charge people a dollar and a half just to see 'em." The film was inspired by Paul Ehrlich's 1968 clarion call, The Population Bomb which warned of overpopulation.
Alfonso Cuarón's Children of Men is a very loose adaptation of P.D. James's 1992 novel. The film stars Clive Owen as Theo Faron who's biding his time on planet earth as the population is dying -- or killing itself off. No babies have been born in over 18 years which has exacerbated social strife, leading to terrorism, mass suicide, and refugee crises.
Special Guests: Douglas Milsome, Garrett Brown, Rodney Ascher, Rob Ager Guest Co-Hosts: Keith Gordon, Vincenzo Natali
Adapted from a novel by Stephen King, Stanley KubrickThe Shining (1980) tells the tale of Jack (Jack Nicholson), Wendy, (Shelley Duvall) and Danny (Danny Lloyd) Torrance, a family who spend a winter at the Overlook Hotel in Colorado. Jack plans on writing a book but, instead, battles the inner demons of alcoholism and anger, slowly going mad perhaps with the help of the ghosts of the Overlook...
Directors Keith Gordon and Vincenzo Natali join Mike to discuss Stanley Kubrick and The Shining as well as the many interpretations of the films (as presented in works like Rodney Ascher's Room 237 and Rob Ager's Collative Learning series).
Along with Ascher and Ager, cameraman Douglas Milsome and Steadicam operator (and inventor) Garrett Brown reminisce about working with Stanley Kubrick.
Music:
"The Rock Mountains" - Wendy Carlos & Rachel Elkind
"Nocturnal Valse Triste" - Wendy Carlos & Rachel Elkind
"Music For Strings, Percussion And Celesta: Adagio" - Bela Bartok
"Midnight, The Stars and You" - Al Bowlly & Ray Noble and His Orchestra
"Come and Play with Us, Danny" - Smearballs
Special Guests: Geoff Murphy, Sam Pillsbury, Jonathan Rayner Guest Co-Host: Keith Gordon
Zac Hobson (Bruno Lawrence) wakes at 6:12 one sunny morning to find that he may be the last man on Earth in The Quiet Earth, a compelling Kiwi film from director Geoff Murphy and writer/producer Sam Pillsbury.
We're joined by actor/writer/director Keith Gordon to discuss this post-Apocalyptic film.
Music:
"Zac Takes Over" - John Charles
"The Effect Continues" - John Charles
"Last Love Scene" - John Charles
"Preaching The End Of The World" - Chris Cornell
"Sunrise" - John Charles
Special Guests: Robert Weide, Gregory D. Sumner, Mary Kenny
Perhaps the best adaptation of a Kurt Vonnegut work, Mother Night stars Nick Nolte as Howard W. Campbell, Jr. an American playwright whose Nazi broadcasts may have helped America win the war. But, at what cost? Mother Night stars Alan Arkin, Sheryl Lee, Frankie Faison, John Goodman and a great supporting cast.
Also, we'll be talking to screenwriter Bob Weide (who's currently wrapping up a documentary on Kurt Vonnegut), Gregory D. Sumner, author of Unstuck in Time A Journey Through Kurt Vonnegut's Life and Novels, and Mary Kenny, author of Germany Calling A Personal Biography of William Joyce Lord Haw-Haw.
Our special guest co-host is the director and co-producer of Mother Night, Keith Gordon.
We're looking at Woody Allen's Love & Death from 1975. It's a mix of The Marx Brothers and Fyodor Dostoevsky.
Joining us this week is special guest co-host Keith Gordon. We also have a special bonus episode with more of our conversation with Keith on the current state of Hollywood, his upcoming work on Dexter, his project with Christopher Nolan, and more about Rectify the new series on the Sundance Channel.
A quirky little film from Mark Romanek and Keith Gordon, Static (1985) tells the tale of Ernie Blick, an inventor whose latest creation will revolutionize the world.