Noirvember 2025 roars to life with Walter Hill's sleek, existential chase film The Driver (1978). Ryan O’Neal plays the nameless getaway specialist who moves through Los Angeles like a ghost, pursued by Bruce Dern’s manic lawman hell-bent on taking him down. It’s a lean, hypnotic duel between predator and prey where style is substance and silence is power.
Mike rides shotgun with Beth Accomando and Walter Chaw to unpack Hill’s minimalist approach, his homage to Melville’s Le Samouraï, and the cold precision that makes The Driver a high-octane hymn to professionalism and control.
Special Guests: Payton McCarty-Simas, Adam Lowenstein Guest Co-Hosts: Father Malone, Rahne Alexander
George A. Romero trades zombies for suburban malaise in 1971's Jack’s Wife (AKA Season of the Witch, Hungry Wives), a spellbinding portrait of domestic despair and occult liberation. Jan White stars as Joan Mitchell, a disenchanted housewife drifting through a fog of loneliness and repression until she finds power--real or imagined--through witchcraft.
Rahne Alexander and Father Malone join Mike to dig into Romero’s haunting mix of feminist allegory, surreal dream logic, and kitchen-sink psychology. Mike interviews Professor Adam Lowenstein about Romero’s Pittsburgh years and scholar Payton McCarty-Simas about her new book That Very Witch: Fear, Feminism, and the American Witch Film.
Shocktober 2025 spirals into demonic delirium with Juan López Moctezuma's Alucarda (1977). This feverish blast of Mexican Gothic horror follows Justine (Susana Kamini), a sheltered orphan who finds herself drawn to the wild, otherworldly Alucarda (Tina Romero) within the stone walls of a convent that’s anything but holy. What begins as innocent friendship erupts into a blood-soaked storm of possession, blasphemy, and ecstatic madness.
Ryan Luis Rodriguez and Mark Begley join Mike to dissect Moctezuma’s infernal masterpiece — its ties to Jodorowsky’s surrealism, its place in the “nunsploitation” subgenre, and its bold feminist undercurrents that still scorch the screen nearly fifty years later.
Special Guest: Barbara Creed Guest Co-Hosts: Suzen Tekla Kruglnska, Beth Accomando
Shocktober 2025 sinks its teeth into Raw (2016), Julia Ducournau’s visceral coming-of-age horror. Garance Marillier stars as Justine, a sheltered vegetarian entering veterinary school, where a brutal hazing ritual ignites her taste for flesh—both animal and human.
Co-hosts Suzen Tekla Kruglnska and Beth Accomando join Mike to explore Ducournau’s blend of body horror and female awakening, peeling back the film’s layers of appetite, identity, and transgression. Special guest Barbara Creed, author of The Monstrous-Feminine, offers insight into how Raw redefines the monstrous body for a new generation.
Ego Fest XV cracks open The Projection Booth once again as Mike faces a barrage of listener questions from the devoted to the deranged. From the mysteries of the long-teased 2001: A Space Odyssey episode to favorite decades of filmmaking and the highs and lows of a year’s worth of interviews, nothing’s off the table.
Mike talks shop on balancing multiple podcasts, favorite co-hosts, and whether a Dabney Coleman series might lurk in the future. Fans ask about Elliot Gould, Malcolm McDowell, the Weirding Way family, Kurt Cobain, and even Mike’s clarinet. It’s a revealing, and deeply personal episode that proves—once again—that the man behind the mic never stops creating, curating, or caffeinating.
Big thanks to Dallas Norvell, Captain Billy, Robert Maines, and Ben Buckingham for the thoughtful questions. Also big thanks to all of the listeners who provided such insightful reviews.
Shocktober continues with Marina de Van’s unnerving and unforgettable In My Skin (Dans ma peau, 2002). Written, directed by, and starring de Van, the film follows Esther, a successful marketing executive whose accidental leg injury opens a darkly intimate portal to obsession and self-discovery. As she becomes fixated on her own wound, Esther’s relationship with her body—and reality itself—begins to unravel in a visceral exploration of autonomy, alienation, and flesh as frontier.
Axel Kohagen and Ben Buckingham join Mike for a deep dive into de Van’s fearless vision, its connection to the New French Extremity, and the uneasy beauty found beneath the skin.
Special Guest: Stefanie Powers Guest Co-Hosts: Amanda Reyes, Kendall R. Phillips
Shocktober 2025 begins with Sutton Roley's Sweet, Sweet Rachel (1971), the eerie TV movie that launched The Sixth Sense series. Written by Anthony Lawrence, the film stars Stefanie Powers as Rachel Stanton, a glamorous woman whose husband dies under suspicious circumstances, leaving her caught in a web of supernatural intrigue. Alex Dreier play Dr. Lucas Darrow, a psychic researcher who, along with Carey Johnson (Chris Robinson), investigate the strange goings-on of the Piper family.
Mike is joined by Amanda Reyes and Kendall R. Phillips to dissect the film’s blend of paranormal thrills and TV Gothic atmosphere. Plus, Stefanie Powers herself stops by to share memories of stepping into Rachel’s haunted shoes.
Special Guest: Peter Hames Guest Co-Hosts: Jim Vendiola, Samm Deighan
Czechtember 2025 wraps with Jan Švankmajer's Conspirators of Pleasure (1996), a delirious, dialogue-free plunge into fetish and surrealism. Mike teams up with filmmaker Jim Vendiola and critic Samm Deighan to unravel the tangled lives of six Prague eccentrics whose private obsessions—ranging from papier-mâché contraptions to elaborate role-play—collide in hilariously unsettling ways. The result is a darkly comic meditation on desire, ritual, and the pleasures of the bizarre, filtered through Švankmajer’s singular stop-motion, tactile textures, and Surrealist imagination.