Episode 488 · Film year 1982

Poltergeist (1982)

· 5h 14m

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Artwork for Poltergeist (1982)
Poltergeist (1982)
Episode 488 · The Projection Booth
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5h 14m
MP3

Show notes

We kick off Shocktober 2020 with a look at Tobe Hooper's 1982 film Poltergeist. It's the story of a suburban family beset by supernatural forces.

Vincenzo Natali (opens in a new tab) and Christine Makepeace (opens in a new tab) join Mike to discuss hauntings, the pedigree of the film, the sequels, and 2015 remake.

Interviews
00:46:14 Dahlia Schweitzer (opens in a new tab) talks about her upcoming book, Haunted Homes

01:42:32 Chris O'Neill (opens in a new tab) talks about the questions of authorship and his upcoming book on Tobe Hooper

02:15:52 Oliver Robins (opens in a new tab) talks about working on Poltergeist and Poltergeist II: The Other Side

02:36:43 Mark Victor talks about Poltergeist and Poltergeist II: The Other Side

03:19:08 Gary Sherman (opens in a new tab) talks about Poltergeist III

04:20:07 Gil Kenan (opens in a new tab) talks about the 2015 Poltergeist remake

Labels: 1982 Chris O'Neill Christine Makepeace Craig T. Nelson Gil Kenan JoBeth Williams Mark Victor Oliver Robins Steven Spielberg Tobe Hooper Vincenzo Natali

Watch

Music credits

  • Original Soundtrack by Jerry Goldsmith
  • "Haunted House" - Jumpin' Gene Simmons

Links & resources

Episodes that share keywords with this one.

Episode 408 ·

Me and Him (1988)

Shared: Craig T. Nelson

Doris Dörrie, Adam Spiegelman, Heather Drain

Episode 502 ·

Hair (1979)

Shared: Gil Kenan

Michael Weller, Miles Chapin, Gil Kenan, Lee Gambin

Episode 593 ·

The Hunger (1983)

Shared: Christine Makepeace

Whitley Strieber, Michael Thomas, Christine Makepeace, Kat Ellinger

Comments (4)

  1. Anonymous
    If you go to The Bearded Trio website and type in Poltergeist: middle of scene cut, it not only explains the reason behind this bizarre abrupt, jarring scene transition, but includes the original screenplay scene in its entirety thus rest of the dialogue from where it was cut and an organically reached conclusion to the scene and how it connects to the next scene in the movie. Spoiler: it all has to do with Pizza hut. Earlier in the same scene the young daughter says mom didn't make dinner and wants Pizza Hut. The harsh cut is Craig T. Nelson interrupting to yell, 'I hate Pizza Hut!' Which is hilarious. But not to their corporate sponsor which was Pizza Hut that got word of this and the prints were going out so their only cheapest option was to literally cut the scene out crudely and ship them out. However, if you read the comments, it doesn't sound like they got all the prints because people have memories of seeing the scene in its entirity. Including one commenter who, to your point, Mike describes how Diane was explaining the sensation in sexual terms. So it sounds like the scene existed, they cut it on the majority of the prints,some got out, but none either saved or found when they did the transfer for VHS which means they must've cut the actual negative since the scene has never been restored and just lost to time.
    1. Mike White
      (Thinks back to the Demolition Man episode). DAMN YOU, PIZZA HUT!
  2. Anonymous
    Ha! Beautifully brings it back around to show the cinematic shared universe of corporate final cut.
  3. Ryan Gettig
    Gary Sherman Interview was very interesting.Wish I could hear some of those Michael Mann stories-Graet Show:)

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