Rob St. Mary and Rob Spencer join Mike to dig into Alex Proyas's Dark City (1998), the tale of John Murdoch (Rufus Sewell), who wakes in a cheap hotel room with no memory, a dead body nearby, and a city that refuses to add up. Detective Bumstead (William Hurt) closes in while the pale, bald Strangers rearrange reality every time the clocks stop — building a world that is simultaneously a locked-room mystery, a Philip K. Dick nightmare, a Kafka story with a superhero ending, and a filmmaker's self-portrait: the Strangers as producers, Dr. Schreber (Kiefer Sutherland) as the compromised writer, and Murdoch as the protagonist who tears through the painted backdrop and seizes the apparatus.
The conversation covers the film's three screenplay stages and two finished cuts, the studio-mandated voice-over that Proyas spent a decade trying to undo, and Roger Ebert's role as the mechanism of the film's survival. Mike and the Robs also place Dark City within the remarkable 1998–99 cluster of simulated-world films — The Truman Show, The Matrix, eXistenZ, The Thirteenth Floor — and examine what it means that Murdoch's triumphant ending leaves the city still a construct, still running on hidden machinery, with only the god changed.
Special Guests: Roger Ward, Vernon Wells, Virginia Hey, Bruce Spence, Luke Buckmaster, Hugh Keays-Byrne Guest Co-Hosts: Mike Thompson, Ben Buckingham
On this epic episode of The Projection Booth, we remember the road warrior, the man we called Mad Max. In the roar of an engine, he lost everything and became a shell of a man, a burnt-out desolate man, a man haunted by the demons of his past, a man who wandered out into the wasteland. And it was here, in this blighted place, that he learned to live again.
Ben Buckingham and Mike Thompson join Mike White to discuss the ever-shifting landscape of George Miller’s Mad Max series from its audacious beginning as a bikie exploitation / revenge Mad Max (1979) to the post-apocalyptic Western Mad Max 2: The Road Warrior (1981) to the troublesome Mad Max Beyond Thunderdome (1985) and concluding (?) with the spectacular Mad Max: Fury Road (2015).
Special Guests: Jonathan Rayner, Hal McElroy, Terry Camilleri, Bruce Spence Guest Co-Hosts: Ben Buckingham, Kevin Heffernan
Peter Weir's The Cars That Ate Paris (1974) stars Terry Camilleri as Arthur Waldo, a meek man whose brother dies in a car accident outside of Paris, Australia -- a town whose economy relies on scavenging on the wrecks they create.
Also released (in a truncated form) as The Cars That Eat People, the film is the first feature from Peter Weir and was produced by Jim and Hal McElroy.
Ben Buckingham and Kevin Heffernan join Mike to discuss the film, Mad Max 2, and more.
Guest Co-Hosts: Rob St. Mary, Rob Spencer
Special Guests: 
Special Guests: