Episode 235 · Film year 1973
The Final Programme (1973)
- Special Guest
- Sarah Douglas
- Guest Co-Host
- Eric Cohen
Show notes
Welcome to the Multiverse! We're discussing Robert Fuest's The Final Programme where Jerry Cornelius (Jon Finch) helps a cadre of shadowy figures steal the formula for his father's work which may save humanity from the end of the world...
We're joined by the author of The Final Programme, Michael Moorcock and actress Sarah Douglas who talks about her roles in The Final Programme, Superman, Solarbabies, and more.
We're joined by the author of The Final Programme, Michael Moorcock and actress Sarah Douglas who talks about her roles in The Final Programme, Superman, Solarbabies, and more.
Labels: 1973 Cinefiles Eric Cohen Michael Moorcock Sarah Douglas
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Music credits
- "Kings of Speed" - Hawkwind
- "Every Gun Plays its own Tune" - Spirits Burning
- "Black Blade" - Blue Oyster Cult
- "Stormbringer" - Magnum
- "Stormbringer" - Deep Purple
- "Entropy Tango" - Spirits Burning
- "Needle Gun" - Hawkwind
- "Lords of Chaos" - Magnum
Links & resources
- Buy The Final Programme on DVD (opens in a new tab)
- Buy The Cornelius Quartet by Michael Moorcock (opens in a new tab)
- Visit Moorcock Miscellany, the official Michael Moorcock fansite (opens in a new tab)
- Listen to the Hammicus podcast episode on The Final Programme (opens in a new tab)
- Read a great review of The Final Programme from Breakfast in the Ruins (opens in a new tab)
- Visit the official Sarah Douglas website (opens in a new tab)
- Follow Sarah Douglas on Twitter (opens in a new tab)
Related episodes
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Sven-Ole Thorsen, Gerry Lopez, Josh Hadley, El Goro
Comments (1)
herman the german Great Moorcock interview! I have a blind spot with SF writers form this period of the 60s. I think my favorite Projection Booth interviews are the ones that feature an interviewee with a combination of humility and talent (plus the ability to tell good stories.) William Sanderson and the guy from Logan's Run were also pretty great. Not so good are the ones with producers who simply want to set the record straight about what credits they should get. I've had to shut down only a couple of those.